$10 suggested donation at door

4 PM: Junwen Liang plays piano music from four centuries (not necessarily performed in this order):
18th Century: JS Bach, Capriccio on the departure of a beloved brother, BWV 992
19th Century: Frederic Chopin, Sonata No. 3 in B minor, Op. 58
20th Century: Ned Rorem, Three Barcarolles (1949)
21st Century: Catherine Likhuta Rondo for Piano (2001); and Wanghua Chu Jasmine Flower Fantasia (2003)

5 PM: Stanford Chung, Shazad Ismaily, Andrea Scala: Material from new album, titled “E N D R O L L ”
The creation of this album began with the question of whether all music needs a beginning, and instead, to hypothesize on whether music could still retain intention when drawn from a place of "finality." Do imaginary worlds exist beyond the threshold of "finality," and could improvisation serve as the catharsis towards a newly imagined genre that embodies "finality" as the vessel for creation?